1/13/2023 0 Comments Kailua onstage artsMagazine, he is a member of the national board for the Consortium of Asian American Theaters and Artists (CAATA) (where he also serves as Secretary), and is the Executive Director for Pork Filled Productions. Coordinated by Eric Ting, Jenny Koons, CAATA Board President Leslie Ishii and many others, this. ![]() On Friday, March 19, 2021, over 200 Asian American Pacific Islander theatre artists gathered online to discuss responses to the horrific spree killings of Asian Americans in Atlanta earlier that week. From the playwrights best known for Mystery Science Theatre 3000 and RiffTrax, the story provides a new twist on love letters presented by scrappy Kailua Onstage Arts in a covered parking lot in. Called the “Godfather of Asian American theatre” by A. Asian American Theatre Leaders Lay Out Actions. He has sat on the boards of ReAct Theatre and the Northwest Asian American Theatre (where he helped build the Theatre Off Jackson). A play set in Kalihi in the disco years of the late 70s, when high school students hung posters. ![]() Roger Tang (he/him) is a veteran theatre artist of over four decades who counts as his peers folks like David Henry Hwang and Philip Kan Gotanda.Īs a playwright, he’s written She Devil of the China Seas, The Jade Con, Shadowed Intent, and Truth and Lies. He has worked with Seattles 14/18 Festival, penned numerous sketches for the Pork Filled Players and several pieces for SIS Productions’ Revealed series of site-specific theatre work.Īs a producer, he introduced Northwest audiences to such writers as Qui Nguyen, Prince Gomolvilas, Carla Ching and Genny Lim and has produced numerous Northwest and world premieres, from Hwang’s Bondage and Yellow Face to Maggie Lee’s The Clockwork Professor, The Tumbleweed Zephyr and A Hand of Talons. Kailua Onstage Arts presents Rolling the Rs, by acclaimed playwright and author R. The Revue has tracked Asian American theatre across the world since the early 1990s.Ĭontact him at gwangung u dot Washington dot edu Students follow IONA's Annual Season production though rehearsals to the stage, with immersive sessions in dance and choreography, marketing, technical production, costume building, and arts administration.Some background on the Revue here. Kailua Onstage Arts finishes its inaugural season on a high note with the Hawaii premiere of we, the invisibles by Hawaii born Susan Soon He Stanton. You buy a ticket and donate it to our pool, where it will be redeemable by anyone in the community for any of our shows. IONA’s new education program places high school students elbow to elbow with professionals in a learning-feedback platform that connects the arts to watches the real world. Through maps provided with educational materials, students circulate throughout the performance space much like an art gallery as each installation begins with dance and ends with a narration about the Company's work and the environment. Without exception, these audiences have responded with tears and smiles, and the dancers themselves have evolved from theatrical performers into truly angelic beings in body and spirit.Ī gallery style performance that provides close-up views of the dancers as living art installations. IONA’s ‘Visions of Angels’ community outreach program brings angels from ‘The Mythology of Angels’ to prisons, hospitals, hospices, senior centers, youth at risk, and populations in crisis. ![]() IONA has appeared in dozens of free public performances, from beaches to shopping malls to city streets, each time leaving a life-affirming mark on all who see them. In efforts to strengthen its engagement with its artists, CAATA is continuing to partner with HowlRound TV to present its curated series of livestreamed conversations focused on shared issues between theaters-of-color. IONA's Community Outreach and Education Programs bring performing arts to a variety of underserved organizations, Title One schools, and communities island-wide. CAATA continues to realize that its work must evolve to serve its communities in these ever-changing times. “This was an experience not a performance.” “My God it’s so beautiful,Įven in the prison.” Women’s Community Correctional Center, Kailua
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